Our audio plugins are based on more than ten years of scientific research and product development in the field of digital signal processing and auditory perception. We combine advanced signal processing techniques and highly optimized cross-platform implementations with easy-to-use interfaces to streamline your workflow.
- FREE VST PLUGINS VST Effects CHARACTER Tube / Tape. CHARACTER Tube / Tape VST Effects. Size 1.68 MB VeeSatEQ is a combination of EQ filters, distortion, tube saturation and a limiter. It is used to change/colour/saturate sounds in a unique way. Size 0.18 MB Ferox is a tape saturation modeller.
- The BitterSweet Transient Designer. BitterSweet v3 is Flux:: acclaimed transient processor used by hundreds of thousands of users for audio transient management with the simple turn of a knob – Turning it to the Sweet side reduces the transients, and turning it to the Bitter side magnifies the transients – No dongle or registration required – 100% Freeware!
Jeroen Breebaart has released version 1.05 of Ferox, a free tape saturation modeller VST plugin for Windows PC.Changes in v1.05Fixed output. Jeroen Breebaart updates Broadcast to v2.03 beta and releases plug-in bundle Oct 31, 2007.
We strive for both affordability and quality, rather than making compromises. We present professional grade products to a wide range of users.
Barricade – Brickwall Limiter
Broadcast –
Multiband Compressor BusCompressor – High quality, transparent dynamics processor with adjustable knee and auto release, suitable for processing single tracks as well as complex mixes.
Compressor is a versatile compressor that is suitable for almost any audio content. Its advanced signal analysis algorithms allow dynamic range to be changed very transparently. Conversely, when manually adjusting the parameters, it can provide a “musical pumping effect”
DeEsser – removes or reduces the excess of sibilant vocals (for example, “ccc” and “shshsh”), without negatively affecting the low-frequency (sounded) parts of the signals. There is no need to adjust the attack or release parameters, as these properties are automatically adjusted based on the input signal. TB DeEsser’s split band stereo mode also provides the ability to limit any excess high frequency content to other signals, including full stereo mixes.
Dither is a plugin designed to convert the bit depth of sound with as little loss of quality as possible.
DualVCF – Adds movement, shape and color. The plugin generates evolving rhythmic movement and complex dynamic filter shapes. It contains dozens of analog filter models with the sought-after sound of the 70s, 80s and 90s. Combined with envelopes and intuitive modulation editors, it provides almost limitless possibilities for creative exploration.
Caustic 3 vst plugins. EBUCompact is a plug-in for measuring the volume of a stereo signal.
EBULoudness is a plug-in for measuring and normalizing sound using volume level instead of the standard Peak Meter.
Enhancer –
Equalizer is a new dynamic equalizer with an embedded AI algorithm to help you mix your music. The AI auxiliary function will listen and make frequency equalization recommendations depending on the type of audio content.
Evoke – Virtual dynamics processor and enhancer. Consists of filter, transparent compressor, smart limiter, multiband redundant sibilant processor and exciter.
Ferox – With all the benefits of digital audio processing and recording (low noise, high dynamic range, nearly flat frequency response, low distortion), it can sometimes be difficult to get that elusive vintage warmth. This is where TB Ferox comes in. It simulates smooth compression and saturation, reminiscent of one of those good old days of tape recording.
FlX – combines equalizer and dynamics processor. It works the same way as most equalizers; it has 6 filter sections with many controls to change their effect on the spectrum.
Gate is what the name suggests: a very functional and easy to use gate.
Isone is an emulator of a binaural monitoring system (headphones).
MidSideTransformer is a plugin that changes the left-right channel to mid-side and back.
Module – chorus, echo, phaser, tremolo, auto-panner, tape delay, … A wide variety of modulation effects in one plug-in.
Morphit – Have you ever wondered how the different sonic attributes of your headphones affect the mixing results? Curious to know how your mix sounds over different headphones? Almost all existing headphones introduce unwanted changes to the sound. TB Morphit will help reduce these unwanted artifacts by improving the response of supported headphones. What’s more, it can simulate the sound of any other supported headphones.
ReelBus is a true analog tape simulator that is designed to accurately simulate all tape-related properties, including frequency and level saturation, intermodulation effects, offset, tape jamming, jamming noise, wah and flutter, and electronic clipping.
Reverb is an algorithmic reverb. Simulate any acoustic environment from a small room to a warm and dense concert hall.
Sibalance is a plug-in (de-esser) for sibilance processing that uses selective filter processing for ultra-transparent results.
TimeMachine is an emulator of vintage samplers.
VoicePitcher is a simple yet effective plugin for changing the pitch and timbre of vocals or voices.
Digital recording is cold. Let's face it folks, we gained an amazing signal to noise ratio but lost something on the way.In my never ending pursuit of lush sound in a digital world I've tried lot's of things.
Tubes add a certain harmonic distortion to sounds which is nice..but that's not IT.
Compression can do wonderfull things to sound from fattening to making something really groove..but that's not IT.
It starts with a clean optimum level recording, but with digital you really have to fight the peaks if you want lush and smooth.
What I mean by that is ordinary limiting of the peaks in your audio is not going to give you the warm fuzzy feeling your looking for.
Back when tape was the recording medium that ruled, there was a constant battle to keep the noise level down. Thus, you recorded as hot as you could to the tape. A byproduct of this was that extreme peaks were reduced simply because the tape could not record them. So, with nicely distorted and squashed peaks, the bulk of the important stuff was recorded at optimum levels.
With digital it's ALL recorded (if you don't clip), peaks and all. Not only that, the nature of peak level metering in today's hardware/software means a lot of stuff is not even recorded at optimum levels (more on that in future articles).
Just limiting the peaks actually affects the good stuff immediately after them. It's the nature of limiters, they are stupid and release time dependant. Additionally, tape has a certain amount of noise which actually helps carry the sound. Seriously. A certain amount of noise in a recording can actually be a good thing, dithering being a classic example.
So, finally the point of all this waffle.. A good tape simulator will not only tame your peaks in a way that prevents the good stuff being compromised. It also adds the distortion and noise characteristic's that make us feel warm inside.
J B Ferox
Ferox Free Vst Plugins
is an excellent FREE one available on the net here.Download it and do a little test. Drums are perfect for this due to their massive peak to RMS ratio. Find or create a snare track, limit it with ANY limiter you care to use. Now do the same thing with Ferox and see which one sounds better.
My money is on your choosing the tape simulation.
![Ferox Ferox](https://getthatprosound.com/wp-content/uploads/2012/08/TB-Ferox-300x253.jpg)
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Ferox Free Vst Drums
![Free Free](https://bedroomproducersblog.com/wp-content/uploads/2011/04/dc09_29_ferrictds.png)